Leo XIII, Rerum novarum (1891)
Pius XI, Quadragesimo anno (1931)
Ernest Fortin, “Sacred and Inviolable: Rerum Novarum and Natural Rights“
Karl Marx, Theories of Surplus Value, ch. 9
Beatrice Freccia, “Aristotle’s Account of the Relationship of the Household to the State”
Charles De Koninck, “The End of the Family and the End of Civil Society”
Jacques de Monléon, “Short Notes on the Family and the City”
Scott Meikle, “Aristotle and Exchange Value”
Music: Prokofiev – Cinderella Suite – Cinderella’s Waltz
Header Image: “Das ist eine wunderschöne Wiese“
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]]>Leo XIII, Rerum novarum (1891).
Pius XI, Quadragesimo anno (1931).
W. Borman, “Thomism and Private Property,” The Josias (2017).
Thomas Crean and Alan Fimister, Integralism: A manual of political philosophy (2020).
David Graeber, Debt: The First 5000 Years (2011).
Henri Grenier, “The Lawfulness and Social Character of Private Ownership,” The Josias (2015).
C.W. Strand, “A Catholic Socialism,” Tradinista! (2016).
Edmund Waldstein, O.Cist., “Use Values and Corn Laws, Aristotelian Marxists and High Tories,” Sancrucensis, 2015.
Edmund Waldstein, O.Cist., “Dialogue with a Catholic Leftist,” Sancrucensis (2016).
Edmund Waldstein, O.Cist., “Robin Hood Economics: How should the wealth of the world be distributed?” Plough, 2019.
Music: Дми́трий Шостако́вич, Jazz Suite No.2 – 6. Waltz II.
Header Image: New Harmony, Indiana, as proposed by Robert Owen. Engraving by F. Bate, 1838.
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]]>R.G. Collingwood, An Autobiography, 1939.
Felix de St. Vincent and Brett Favras, “Integralism, MacIntyre, and Final Ends: Towards a Secular Account of Christian Politics,” The Josias, 2018.
Alasdair MacIntyre, A Short History of Ethics, 1966; After Virtue, 1981.
Nathan Pinkoski, “Alasdair MacIntyre and Leo Strauss on the Activity of Philosophy,” Review of Politics, 2020.
Leo Strauss, Natural Right and History, 1953; On Political Philosophy: Responding to the Challenge of Positivism and Historicism, 2018; “Lectures on Plato’s Meno,” 1966.
Music: W.A. Mozart, Die Entführung aus dem Serail, Act 3 “Nie werd’ ich deine Huld verkennen,” Les Arts Florissants under the direction of William Christie.
Header Image: William Hogarth, “The Seraglio.”
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]]>Nota bene: In the discussion of distributism at the 1:10 mark when Pater Edmund said “that’s what integralism is all about” he meant to say “thats what distributism is all about.” A slip of the tongue.
Music: W.A. Mozart, Serenade 13 in G Major, KV 525, “Eine kleine Nachtmusik,” II. Romanze. Performed by the Camerata Salzburg under the direction of Sándor Végh.
Header Image: “Hans Christian Andersen,” by Kirill Chelushkin.
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]]>Music: J.S. Bach, Schafe Können sicher weiden wo ein guter Hirte wacht, from Was mir behagt, ist nur die muntre Jagd, BWV 208. Performed by Elisabeth von Magnus and the Amsterdam Baroque Orchestra under the direction of Ton Koopman.
Header Image: Charles-Émile Jacque, Landscape with a Herd (1872).
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]]>Music: Gustav Mahler, Lied Des Verfolgten Im Turm, from Des Knaben Wunderhorn. Performed by Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, and the London Symphony Orchestra under the direction of George Szell.
Header Image: Raphael Statt, O.Cist. Beflügelter Schritt.
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]]>Music: “Là ci darem la mano,” from W.A. Mozart’s Don Giovanni, sung by Barbara Bonney and Thomas Hampson, accompanied by the Royal Concertgebouw Orchestra under the direction of Nikolaus Harnoncourt.
Header Image: Max Slevogt, Don Giovannis Begegnung mit dem steinernen Gast, 1906.
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]]>Music: “Vesti la Giubba” from Leoncavallo’s Pagliacci, sung by Luciano Pavarotti.
Header Image: Joaquin Phoenix in Joker (2019)
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]]>Music: Also sprach Zarathustra, by Richard Strauss.
Header Image: Photograph of a Tree in the Mist, by Pater Edmund
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]]>Music: “An die Musik“, by Franz Schubert, performed by Matthias Goerne (baritone) and Helmut Deutsch (piano).
Header Image: Circles in a Circle (1923), by Wassily Kandinsky (detail).
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